During a recent trip to Miami, I made a quick visit to 1111 Lincoln Road, a development in South Beach’s Lincoln Mall, which I have been following for some time now. At first glance the renderings display a project that is at the very least, an exciting structural display that mimics the symbols of wealth displayed by the celebutantes of South Beach. Upon visiting South Beach and the 1111 Lincoln Road development, it became clear that the design and development are clearly foreign to the surrounding collection of 800 Art Deco structures located in South Beach’s Art Deco Historic District.
September, 2009 Monthly archive
Augmenting aerial earth maps, or Augearth as it is called by its creators, is the resultant of a research effort at the Georgia Institute of Technology’s Augmented Environmental Laboratory. I discovered the results of the research while visiting the Google Earth Blog, which is a must bookmark for architectural 3d modelers and illustrators. I am writing about this, not because I don’t feel like finishing the dozen or so articles I have sitting in the queue, but because the researchers at the Georgia Institute of Technology have brought to the forefront a new type of visualization that will not only change the way we view architecture and the world, but our process.
The New World Symphony designed by Frank Gehry may rank as one of the architects most important works. The New World Symphony located in South Beach is evolutionary in the same way that Gehry’s Santa Monica House or Guggenheim Museum Bilbao are now monuments that mark different periods in the architect’s career. America’s most famous Canadian architect has crafted a pivotal work that will determine the future creative direction of Gehry and his office. The New World Symphony represents a much more restrained Gehry than we are used to seeing.
When going to Miami this weekend I was excited at the prospect of seeing my first Richard Meier building. Meier was one of the first architects that I was introduced to in my architectural education, and have always had an appreciation for his ability to take a consistent formal language and evolve it with the completion of each new project. The project pictured to the left is a rendering of the Beach House in South Beach Miami, Florida. The developers of the project, which there are many, never miss an opportunity to tell you that the project is designed by Richard Meier.
Everybody loves the work of Renzo Piano, even his bad buildings. Until now, monographs and texts depicting the work of Piano were both expensive and outdated, highlighting popular older works of the RPBW. Piano: Renzo Piano Building Workshop 1966-2008
Remember every year in undergraduate school how it seemed that there was always one kid who gets the bright idea to create a ramping system, which serves as the major vertical circulation system in his design? And do you remember when that one kid is told during a critique that his design does not meet the requirements of the building codes? He is also told that ramp slopes cannot exceed 1:20, and that the maximum run without a 5 feet landing is 30 feet? Do you remember what happens after he stares blankly at his drawing and realizes that his design does not work? In case you forgot, he comes back the next week with a design that he claims fully satisfies the requirements of the building code.
Rape space is a term that I first encountered while in attendance at the University of Cincinnati’s undergraduate architecture program. The term rape space was spoken by faculty members with the same frequency as other designer-ly words such as form and hierarchy. If you have not yet guessed, a rape space is a bad thing, and no student ever wants to be credited with creating a rape space or hearing that phrase during a critique. The exact origin of this term remains unknown to me, and I am unsure if this term has populated the architectural vocabulary of other respected architectural education programs.